Pianist, composer, arranger, and bandleader Srisley  

whose artistry seamlessly blends jazz, Latin music, and cinematic storytelling. Originally from South Korea, she began her illustrious career at the age of 11, debuting with a solo performance of Chopin’s Fantasie Impromptu on KBS (Korea Broadcasting System). She holds a Master’s degree in Jazz Performance from Kyung Hee University and received a Berklee World Tour Full Scholarship, where she is completing her Bachelor’s degree in Performance & Film Scoring (May 2025).

Srisley’s commitment to artistic exploration led her to leave her established career in Korea and embark on a journey to study Latin American music, a testament to her unwavering dedication to expanding her musical horizons.

She is a member of the Berklee Global Jazz Institute and the Berklee Institute of Jazz and Gender Justice, where she studies under Grammy-winning mentors Danilo Pérez and Terri Lyne Carrington.

A visionary leader, Srisley has served as Artistic Director for major productions, including Great Gatsby Stage Production in Korea, where she directed 40 musicians and tap dancers, overseeing all musical arrangements while performing as a featured pianist.

She also headlined "Srisley and Friends" at Berklee Performance Center (2024), a large-scale production featuring 30 musicians and special collaborations with esteemed faculty members Eguie Castrillo, Leo Blanco, Rebecca Cline, and Zahili Zamora.

Her performance highlights include being a finalist in the Jacksonville Jazz Piano Competition and Detroit Jazz Combo Competition, with appearances at the Detroit Jazz Festival, Dirty Dog Jazz Café, and The OA Group Awards Gala (Washington, D.C. 2025). She is also scheduled to perform at Boston Calling Festival (2025) and has led international tours, including concerts and masterclasses in Honduras and South Korea.

As a composer, Srisley has been honored at Berklee’s Career Jam and won First Prize in the Charleston International Music Competition (20th Century Music category, 2024). Her discography includes "Boston" (2024), "Moi J’attends" (2022, Universal Music Korea), and "30" (2020), reflecting her ability to merge improvisation with cinematic orchestration.

Beyond performance, she is a passionate educator, mentoring students globally through her online platform MUCADEM and leading masterclasses in Latin jazz and Afro-Cuban music. At the core of her artistic philosophy is a commitment to fostering human connections through collaborative musical experiences, continuously pushing the boundaries of jazz and cross-cultural storytelling.